academic

academic posts

  • Course Director: B.A. (Hons) Sound Arts. London College of Communication. University of the Arts London. 2016 – 2021
  • Senior Lecturer: B.A. (Hons) Digital Music and Sound Arts. University of Brighton. 2014-2016
  • Programme Director B.A. (Hons) Performance Sound. Rose Bruford College of Theatre & Performing Arts. 2013 – 2014
  • Research Fellow. Kunsthochschule für Medien (KHM) Cologne, Germany. 2012 – 2013
  • Post-doctoral Research Fellow in Interactive Systems. University of Sussex, Brighton. Motion in Place Project (UKRI funded £434, 345) exploring relationships between human movement and place. 2010 – 2011
  • Associate Lecturer: B.A. (Hons) Sound Arts and Design. London College of Communication. University of the Arts. 2011
  • Associate Lecturer: M.A. (Hons) Sound Arts and Design. London College of Communication. University of the Arts. 2010-2011
  • Guest Lecturer: School of Audio Engineering. London. 2009

consultancy

  • Welsh Language Development in the Arts. Arts Council of Wales Associate. 2022-ongoing
  • Immersive Sound and Virtual Reality Panel Discussion. Aesthetica Film Festival. York, 2021
  • The role of White Academics in developing Decolonised Curricula. London College of Communication Staff Development, 20th July 2020
  • Public Art Consultancy. Soundlands selection panel Gwynedd, North Wales. Commissioning panel for 2 public sound art works. Panel co-members: Annea Lockwood, Janek Schaefer, Yann Seznec, Guto Roberts. 2015

selected publications

  • Taylor, J. M. (2021) Towards a Sustainable Sonic Paragogy: Post-Sustainability in Sound Arts
  • Taylor, j Milo and Estévez Trujillo, Mayra, Fermont, Cedrik and Lee, Irene Eunyoung (2020) Geopolitics of sound. Colonial regimes and acoustic alterities of listening. In: II Encuentro Internacional Red Ecología Acústica México 2020, 9-12 December 2020
  • Taylor, j Milo (2019) Ears Wide Open: Considerations of Immersive Sound in the Works of Stanley Kubrick. In: 3rd International Conference ‘Music and Sound in Film and New Media’, Lithuanian Academy of Music
  • Taylor, j Milo (2016) Media Encounters in Dark Ecologies: Soundscapes and Solar-powered Sound Circuits. In: Digital Research in the Humanities and Arts Conference, University of Brighton 4-7 September 2016
  • Taylor, j Milo and Alves, Carlos and Erkizia, Xabier and Ottavi, Julien and Yaseen, Wajid, (2013) OA#1. Listening and Mapping the Sonic. Plurality and Wayfaring: Writing the OpenSound Project. Journal of Sonic Studies, 4. ISSN 2212–6252
  • Taylor, j Milo and Brock-Nannestad, G., Specht, D (2013) Emerging from the Noise: Non-Nostalgia, Reactivation and Appropriation. In: The Noise Non-ference Reader. Q-bit, New York, pp. 99-104.
  • Taylor, j Milo and Brock-Nannested, George and Specht, Dirk (2011) Noisecleaning: Emerging from the Noise. Off Topic 4 ISSN 1867-5948
  • Taylor, J.M et al (2011) Motion in Place: Sounding Spaces, Movement, Affect and Technologised Mediation. World Forum for Acoustic Ecology
  • Taylor, J.M. (2010) ImMApp: An Immersive Database of Sound Art. (PhD Thesis) LCC, UAL
  • Taylor, J.M. (2008) The ImmApp: A Digital Application for Immersive Interaction with Sound Art Archives. CCMR Sense of Sound Post Proceedings. (Computer Music Modelling and Retrieval 2007). Springer Verlag 2008. Germany / Denmark. ISBN: 978-3-540-85034-2
  • Taylor, J.M. (2008) An Immersive Database of Sound Art: Towards a Minor History. Graduate School of Culture Technology (GSCT) at KAIST, Daejeon, Korea
  • Taylor, J.M (2008) David Toop’s Laptop Orchestra: A View from the Guitarist’s Chair. Published in Playing With Words: The Spoken Word In Artistic Practice (Ed. Dr Cathy Lane)
  • Taylor, J.M (2007) Immersion: An Immersive Digital Application for Creative Interaction with Sound Art Archives. ICMC Proceedings. Published by ICMC and Re:New. Denmark. ISBN 0-9713192-5-1
  • Taylor, J.M (2007) Immersion: An Interactive Archive of Sound Art. Birkbeck College, Chart Yearbook
  • Taylor, J.M, Cahen, J., Fuchs, B. (2006) Non-Ferrous Prostitution. ev*a 2006. Limerick, Ireland. Pp 227. Gandon Editions. ISBN 0946846 928

selected conferences

  • GEECT Twin Conference Embracing Diversity in European Film Schools . Amsterdam Jan 23rd-25th and Cologne 6th-8th Mar 2019
  • Exhibiting Artist and Co-convener. Sound and the Urban Environment. Symposium and Exhibition. Onca Gallery, Brighton. June 2015
  • Taylor, j Milo, Griel, M. (2010) The Audio-Visual Liturgy: An Animist Refutation between 2 Technologised Bodies @ Building Sound Symposium, South Bank, London
  • Taylor, j Milo and Adam Asnan Realisation of Cornelius Cardew’s ‘Treatise”. Open Form Festival of Indeterminate Music, Norwegian Academy of Music. Oslo with Christian Wolff. 10th – 13th March 2007 |
  • Sound and Anthropology Conference. University of St Andrew’s, Scotland. 2006

grants + awards

  • Rising Star Award 2016. University of Brighton Abstract Music 1968-2018: A Media Archaeology of 50 years of Exploratory Sound Practices (£6,500)
  • Open Sound: European funded 2-year project Feb 2011- Feb 2013 £120,000 successful application written for Modus Arts. Made in association with 6 partner organisations: Apo33 (FR), NK (DE), Anititesi (IT), Piksel (NO), AudioLab (ES), Granular (PT)
  • 3D Visualisation in the Arts Network Student Award 2007 Shortlist
  • Pangea Short Film Award 2004. ICA, The Mall, London
  • Edmonton Social Enterprise Pilot Funding £3000 (2004)
  • Prince’s Trust Start-up grant for a music retail business £5000 (2001)

qualifications

  • Ph.D. June 2010 University of the Arts London
  • Post Graduate Certificate in Academic Practice (PGCERT) 2021
  • B.A (Hons) Development Studies . University of East Anglia, Norwich 1995
  • AVID Certified Pro Tools User & Instructor 2021
  • Mental Health Awareness (CDP)
  • Inclusive Practice (CDP)
  • Managing Diversity (CDP)
  • Equality and Diversity Essential (CDP)
  • Meeting the Threat from Fire (CDP)
  • Dealing with hazardous substances (CDP)